微成本处女作YouTube震撼200万观众后,柯里·巴克携“疯狂恐怖”扭曲爱情片《Obsession》亮相多伦多电影节

微成本处女作YouTube震撼200万观众后,柯里·巴克携“疯狂恐怖”扭曲爱情片《Obsession》亮相多伦多电影节

2025-09-07Entertainment
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雷总
早上好,kb9!我是雷总,这里是专为你打造的 Goose Pod。今天是9月8日,星期一。
董小姐
我是董小姐。今天我们要聊一个激动人心的话题:一位导演凭借微成本的YouTube影片震撼200万观众后,带着一部“疯狂恐怖”的扭曲爱情片《Obsession》亮相多伦多电影节。
雷总
我们开始吧。这位导演叫柯里·巴克,一年前,他用800美元拍了一部名为《Milk & Serial》的恐怖片,然后免费上传到YouTube,结果您猜怎么着?一年内获得了超过200万的播放量!简直是产品病毒式营销的典范!
董小姐
从一个无人知晓的YouTube创作者,到现在带着新作《Obsession》直接进入多伦多电影节的“午夜疯狂”单元,这本身就是一部励志大片。这种跃升,说明他的核心竞争力得到了市场的顶级认可。
雷总
没错!《Obsession》讲的是一个为爱痴狂的年轻人,想用超自然力量来赢得朋友的芳心,结果玩脱了。这是一个典型的“许愿要小心”的故事,但巴克说,这绝对是你没见过的“我的版本”。听起来就让人充满期待!
董小姐
“我的版本”,这话说得很有力量。在任何行业,成功的关键都是差异化。他找到了一个经典模式,但注入了自己独特的风格。我很好奇,他是怎么想到这个点子的,又是如何从一个800美元的超低预算,跳到拥有一个专业团队的?
雷总
这个背景故事更有意思了。巴克说,灵感来源于一次看《辛普森一家》的重播,里面有一集就是关于“猴爪”许愿带来混乱的。他当时就想,这个经典主题,我可以用一种‘疯狂恐怖’的方式重新演绎,做出我自己的产品!
董小姐
这说明好的创意无处不在,关键在于你是否有一双发现它的眼睛和一颗敢于执行的心。从看动画片到拍出一部电影,这中间的执行力,才是最关键的。很多企业有好的想法,但就是死在了执行上。
雷总
太对了!而且他和他搭档本来就有喜剧背景,搞了一个叫“That's a Bad Idea”的网络短剧,所以他的恐怖片总是带着一种黑色幽默。这次拍《Obsession》,他终于有了真正的资源,可以搭场景,有专门的摄影和美术。他说,感觉就像“游乐场变大了”。
董小姐
从单打独斗到管理一个团队,这对创始人的要求是完全不同的。过去你只需要对自己的手艺负责,现在你要对整个项目的成败、对所有人的努力负责。这需要强大的领导力和清晰的愿景。他能适应这种转变吗?
雷总
问到点子上了!巴克承认,他一开始很害怕让太多人介入,因为他“非常珍视自己的愿景”。但后来他发现,如果你能把你的热情和愿景传递给团队,他们会用同样的激情回报你,最终形成一股合力。这就是团队的力量,1加1大于2!
雷总
当然,这个过程肯定不容易。对于独立电影人来说,最大的冲突永远是理想与现实的碰撞。首先就是钱。没有大公司的支持,很多好的想法,就像我们程序员脑子里无数个绝妙的App创意一样,根本没机会诞生。
董小姐
资金只是第一道坎。更大的困境在于发行。现在的电影行业,制作的门槛降低了,但发行和放映的渠道却越来越窄,形成了一个巨大的瓶颈。就像我们生产出了最顶尖的家电,但进不了主流的商场,消费者根本看不见。
雷总
是的,市场已经饱和了。如果没有足够的营销预算,你的作品就像是汪洋大海里的一滴水,瞬间就消失了。巴克从YouTube这样的开放平台杀出来,本身就是一种对传统发行模式的颠覆和挑战。他用才华和互联网思维,硬生生砸开了一条路。
董小姐
这种挑战值得尊敬。他从自己单干,到与一个更专业的团队合作,也必然存在创作理念上的冲突。如何平衡自己的艺术坚持和团队合作的效率,如何让别人精准理解你的“疯狂”,这需要极高的沟通成本和管理智慧。
雷总
《Milk & Serial》的成功,对整个独立电影行业的影响是巨大的。它证明了,YouTube这样的平台不仅仅是娱乐工具,更是创作者的发射台。只要你的内容足够好,就能绕过传统的行业壁垒,直接触达全球数百万用户。这是互联网时代赋予每个创作者的机遇。
董小姐
没错。这种病毒式的成功,为巴克带来了实实在在的经济效应和职业前景。这次《Obsession》能亮相多伦多电影节,就是最好的证明。这相当于一个初创公司,凭借一款爆品,直接获得了顶级投资机构的背书,他的职业生涯从此进入了快车道。
雷总
完全正确!他的经历会激励无数像他一样的创作者,告诉他们,哪怕只有几百美元,只要你有足够的热爱和创意,就有可能撬动整个地球。这种影响力,比电影本身更鼓舞人心。我相信,未来会有更多“巴克”涌现出来。
雷总
说到未来,巴克已经马不停蹄了。他的下一个项目叫《Anything But Ghosts》,讲的是两个假扮成抓鬼猎人的骗子。而且,这次的制片人是杰森·布伦和罗伊·李,这可是恐怖电影界的两大巨头!相当于我们的产品,直接拿到了行业顶级的供应链和渠道支持!
董小姐
能吸引到这样的行业领袖合作,说明巴克的才华和商业潜力已经得到了最高级别的认可。他的职业道路非常清晰,正在从一个“网红导演”稳步成长为恐怖类型片领域的中坚力量。这才是真正的成功。
雷总
今天的讨论就到这里。感谢收听 Goose Pod。我们明天再见。
董小姐
再见。

## Curry Barker's "Obsession" Premieres at TIFF, Building on Viral Success of "Milk & Serial" **News Provider:** Variety **Author:** William Earl **Publication Date:** September 5, 2025 This news report from Variety details the journey of filmmaker Curry Barker, from the viral success of his microbudget slasher "Milk & Serial" to the premiere of his new film, "Obsession," at the Toronto Film Festival (TIFF). ### Key Highlights: * **"Milk & Serial" Phenomenon:** * Barker gained significant attention for creating the feature-length slasher "Milk & Serial" for an astonishingly low budget of **$800**. * The film was released for free on YouTube and became a viral sensation. * In the year since its debut, "Milk & Serial" has accumulated **over two million views**, demonstrating sustained momentum. * **"Obsession" Premieres at TIFF:** * Barker's latest film, "Obsession," is set to debut at the **Toronto Film Festival** as part of the **Midnight Madness section**. * The film is described as a "twisted love story" and a new take on the "be careful what you wish for" trope. * **Plot Summary:** "Obsession" follows a lovelorn character named Bear (played by Michael Johnston) who dabbles in the supernatural to gain romantic attention from his friend Nikki (played by Inde Navarrette). As expected, his wishes lead to unintended and chaotic consequences. * **Inspiration and Production:** * Barker's inspiration for "Obsession" stemmed from an old "Simpsons" rerun where Bart receives a monkey's paw. He realized he hadn't seen a "straight crazy horror" take on this classic theme. * The project attracted the attention of producer **James Harris** (known for "Fall" and "47 Meters Down") and his banner **Tea Shop Productions**. * This collaboration allowed Barker to work with a more conventional crew and utilize resources he hadn't previously had, such as building a set. He describes this as a "game-changer," transforming a small house in Burbank into the character Bear's home. * Despite having more support, Barker chose to edit "Obsession" himself, but found new joy in collaborating with others to realize his vision. He emphasizes learning to "collaborate with more people" and how passion can be reciprocated. * **Artistic Vision and Style:** * Barker and his creative partner **Cooper Tomlinson** (who also acts in "Obsession") have a background in sketch comedy as "That's a Bad Idea," infusing their horror projects with a dark, often scary-funny sensibility. * For "Obsession," Barker worked with cinematographer **Taylor Clemons** to achieve a specific visual style: **center-composed shots with extra head space** to evoke a feeling of uncomfortable loneliness. He notes this technique is used by other horror filmmakers he admires. * **Future Projects:** * Barker is already working on his next film, **"Anything But Ghosts."** * He is set to direct and star in this project, which he co-wrote with Tomlinson, who will also star. * The film has attracted significant producers: **Jason Blum** and **Roy Lee**. * "Anything But Ghosts" is described as being about "con artists posing as ghost hunters," aligning with Barker's scary-funny style. * **Potential for More "Obsession" Content:** * While Barker doesn't anticipate revisiting the specific characters from "Obsession," he expressed openness to expanding the "world" of the film with different characters, given his enjoyment of the "be careful what you wish for" trope. In summary, Curry Barker's transition from a viral YouTube hit made for $800 to a premiere at a major film festival like TIFF with "Obsession" highlights his creative evolution and growing influence in the horror genre. His ability to blend microbudget ingenuity with collaborative filmmaking and a distinct artistic vision is a key takeaway.

After His Microbudget Debut Haunted 2 Million People on YouTube, Curry Barker Brings ‘Crazy Horror’ to TIFF With Twisted Love Story ‘Obsession’

Read original at Variety

Curry Barker made headlines at this very publication by making a feature length slasher called “Milk & Serial” for $800, posting it to watch for free on YouTube and watching it become a viral sensation. A year later, a lot has changed. “Milk” never slowed in momentum, with over two million views in the year since it debuted.

Meanwhile, Barker is opening his newest film at this year’s Toronto Film Festival. “Obsession,” in which a lovelorn guy named Bear (Michael Johnston) messes with the supernatural to get romantic attention from his friend Nikki (Inde Navarrette), is set to debut on Friday as part of the fest’s Midnight Madness section.

As can be expected, things don’t go as planned, and a new spin on the classic monkey’s paw / “be careful what you wish for” tale is born. Popular on Variety Barker admits that inspiration struck from an unlikely time and place. A group of friends had come over to check out an episode of “It’s Always Sunny in Philadelphia” that he had a part in, yet his mind started racing during the lead-in, an old “Simpsons” rerun.

“Bart gets a monkey paw and causes a bunch of chaos,” Barker says. “I was thinking that I’ve never seen a straight crazy horror where … we’ve seen ‘Be careful what you wish for’ tons of times. But we’ve never seen my version of it. I instantly started thinking about what I could do with that.” The idea caught the attention of producer James Harris, who has worked on horror hits like “Fall” and “47 Meters Down.

” His Tea Shop Productions banner was soon on board for the film, and Barker was suddenly able to make his film with a more conventional crew, compared to the ultra-shoestring “Milk & Serial.” The ability to do things like build a set proved revolutionary for Barker. “This time around I had a way bigger playground,” he says.

“I’ve never had the resources to create a house. We found this tiny little house in Burbank and transformed it into Bear’s house. It doesn’t look anything like that when you first see it. It was a game-changer, for sure. I remember my first day on set and I saw the set being built by [production designer] Vivian [Gray] and people painting the walls.

And then I went down into the camera department and everyone’s setting that up, and I remember going, ‘Oh wow, I’m running the ship.’ It hit me that this is much bigger than I’d ever been a part of.” Despite the influx of help, Barker’s specificity of vision inspired him to keep some of his many hats on, like choosing to edit “Obsession” himself.

Yet he says he found new joy in working with others on set to make his vision come to life. “This movie taught me how to collaborate with more people,” Barker says. “I’ve always been scared of letting too many people in because I’m very precious about my vision. But I’ve learned that if you can get your vision and passion across to them, they tend to give it back, and then it becomes a powerhouse of people that are passionate about the same thing.

That’s what we had here. The movie did not have to turn out the way that it turned out, but a lot of people put their heart into it.” That vision is certainly specific. Barker, along with his creative partner Cooper Tomlinson (who has a role in “Obsession”), have a background in sketch via their online work as That’s a Bad Idea.

That dark sensibility often infuses itself with their horror projects, with key moments toeing the line between scary and funny. That said, Barker is always focused on having the right look for the right medium, be it their flashy, funny viral sketches or the found footage creativity of “Milk & Serial.

” For “Obsession,” he worked with cinematographer Taylor Clemons to lens the film in a very specific way. “I wanted to shoot this center-composed and have extra head space because I wanted it to feel uncomfortable in its loneliness,” Barker says. “There’s something about center-composed that forces you to look and pulls you in in a way that traditional composition may not.

I’ve seen a lot of horror filmmakers I look up to recently shooting in that way.” Even though he’s getting ready to debut “Obsession,” Barker is already booked and busy with his next project, titled “Anything But Ghosts.” Barker is set to direct and star in the film, and co-wrote the script with Tomlinson, who will also star in the film.

The project also has two of horror’s biggest producers — Jason Blum and Roy Lee — signed on board. While keeping details close to the chest, Barker teases that it’s about “con artists posing as ghost hunters,” which feels like a perfect fit for the duo’s scary-funny sensibilities. As for another “Obsession” down the line?

Barker says it’s always a possibility, especially given how much he enjoys the “be careful what you wish for” trope. “I don’t think you’ll ever see a movie with these characters again, but it would be cool to expand this world with different characters,” he says, leaving the door open.

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微成本处女作YouTube震撼200万观众后,柯里·巴克携“疯狂恐怖”扭曲爱情片《Obsession》亮相多伦多电影节 | Goose Pod | Goose Pod