史泰龙:曾想用AI“返老还童”自导《兰博》前传,兼谈新回忆录

史泰龙:曾想用AI“返老还童”自导《兰博》前传,兼谈新回忆录

2025-09-30Technology
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雷总
早上好,韩纪飞。我是雷总,这里是专属于你的 Goose Pod。今天是10月1号,星期三,早上6点04分。今天,我们来聊一个非常有趣的话题:史泰龙和他用AI“返老还童”的狂想。
李白
吾乃李白。英雄迟暮,壮心不已,欲借机关之术,重返少年时,此番豪情,当浮一大白!我等且听分晓。
雷总
我们这就开始吧。事情是这样的,最近史泰龙透露,几年前他曾向电影公司提议,想自己导演并主演一部《兰博》的前传电影。最关键的是,他想用AI技术,把自己“返老还童”,去演那个18岁的兰博。
李白
以铁血之躯,重塑少年之魂!这想法,可谓“我欲乘风归去,又恐琼楼玉宇”,既有英雄的浪漫,又有对岁月无情的挑战。结果如何?想必是“高处不胜寒”吧。
雷总
没错,他说当时“所有人都觉得我疯了”。电影公司最终没有采纳他的方案,而是选择了一个全新的项目,由年轻演员诺亚·琴蒂内奥来扮演青年兰博。史泰龙对此也只能表示祝他好运。
李白
唉,时人不识凌云木,直待凌云始道高。他人只见其狂,未见其志。旧时英雄之魂,岂是新面孔能轻易承载?正如我之诗篇,他人吟咏,终究失其三分酒意、七分剑气。
雷总
这确实是个问题。文章也提到,像罗伯特·德尼罗在《爱尔兰人》里,或者哈里森·福特在《夺宝奇兵5》里,都已经用过数字减龄技术了。所以史泰龙的想法并不算天方夜谭,技术上是可行的。
李白
然也!画虎画皮难画骨,知人知面不知心。纵使皮囊复少,当年眼中之火,心中之血,岂是幻术所能凭空造之?此非易事,亦是险棋。后生可畏,但前贤难追啊。
雷总
不过,史泰龙老爷子现在也没闲着。他主演的剧集《塔尔萨之王》非常火爆,派拉蒙已经续订了第四季。他在剧里扮演一个黑帮大佬,气场十足,完全看不出已经年近八旬,这本身就是个传奇。
李白
老骥伏枥,志在千里。烈士暮年,壮心不已!这才是英雄本色,不堕青云之志。无论银幕内外,这股精气神,才是他真正的“不老泉”,远胜于任何AI幻术。
雷总
没错。要理解史泰龙为什么对兰博这个角色有这么深的执念,我们得回顾一下他的职业生涯。他不是那种一帆风顺的演员,他的人生就是一部现实版的《洛奇》。他出生在纽约,早年生活困苦,甚至一度无家可归。
李白
哦?“天将降大任于斯人也,必先苦其心志,劳其筋骨”。此乃英雄出世之定数。未经彻骨寒,怎得梅花扑鼻香。这番磨砺,倒是为他日后的铁汉形象,铸就了灵魂。
雷总
完全正确!他靠着自己写的剧本《洛奇》一举成名。当时他坚持必须由自己主演,拒绝了电影公司的高价收购。1976年电影上映后,他直接获得了奥斯卡最佳男主角和最佳原创剧本两项提名,一战封神。
李白
此等豪举,真乃“长风破浪会有时,直挂云帆济沧海”!以笔为剑,以身为舟,于人海浮沉中,开辟出自己的航道。不为五斗米折腰,只为胸中豪情,快哉!
雷总
然后,到了1982年,他又塑造了另一个经典角色——约翰·兰博。在《第一滴血》里,兰博是一个饱受战争创伤的越战老兵。这个系列让史泰龙成为了80年代顶级动作巨星的代名词,肌肉、硬汉、永不言败。
李白
一位是拳台之上,屡败屡战,向死而生的不屈者;一位是丛林之中,孤独为王,以一敌百的悲歌者。此二者,皆是英雄之不同侧面,一为“力”,一为“怒”,共同谱写了一曲男儿行。
雷总
总结得太精辟了。从《洛奇》系列到《兰博》系列,再到后来的《敢死队》系列,史泰龙不仅仅是主演,他深度参与了编剧、导演工作。可以说,这些角色就是他自己的一部分,是他精神的化身。
李白
原来如此。这便不难理解他为何执着于以己之身,重现兰博少年时。非为争名,实乃爱子心切,不忍其血脉为外人所续。此情可悯,此志可嘉。
雷总
是啊,他还写了一本回忆录叫《脚步》,讲述他从1969年到纽约,一步步登上奥斯卡舞台的经历。他想用自己的方式,讲述自己的故事。所以,无论是《洛奇》还是《兰博》,他都希望能有话语权。
李白
以文字为碑,记平生之迹,善莫大焉。英雄故事,当由英雄自书。如此,则字字泣血,句句铿锵,方能传其神韵于后世。他人之笔,终究隔了一层。
雷总
没错,他的整个职业生涯,从1974年的《扁布什之王》到2023年还在参演《银河护卫队3》,跨越了半个世纪。这种持续的创作力和影响力,在好莱坞本身就是一部活着的传奇。
雷总
这就带来了我们今天讨论的核心矛盾:一个创造了传奇的演员,和他亲手塑造的角色的未来,应该由谁来决定?史泰龙想用AI延续自己的角色,但电影公司却选择了更商业、更传统的重启方式。
李白
此乃“道”与“术”之争。史泰龙求其“道”,欲保角色神魂合一;而片方逐其“术”,唯利是图,取其形而弃其神。正如东施效颦,虽有其貌,不得其韵,终为笑柄。
雷总
从电影公司的角度看,他们的顾虑也并非全无道理。首先,AI换脸技术成本不菲,而且效果有好有坏,万一观众觉得“恐怖谷”,觉得假,那对电影是毁灭性打击。选择一个年轻演员风险更低。
李白
哼,畏首畏尾,岂能成大事!“行路难,行路难,多歧路,今安在?”真正的艺术,本就该有披荆斩棘的勇气。若只求安稳,那便不是开创,而是拾人牙慧了。
雷总
而且,史泰龙本人也承认,重塑经典角色是“一项几乎不可能完成的任务”。他说,这就像做“泰山的儿子”或“金刚的儿子”,你永远要和原作的巨大光环作斗争,观众的偏见很难克服。
李白
此言不虚。珠玉在前,瓦石难当。后继者纵有十分力,也只得三分好。然,若由“本尊”以幻术重返,此非议或可消弭。众人所见的,仍是那张熟悉的面孔,那份不变的霸气。
雷总
但矛盾在于,兰博这个角色本身也在演变。早期他是个反战符号,一个悲剧英雄。但后来的续集,他逐渐变成了一个纯粹的杀戮机器,甚至有些评论认为《第一滴血5》是“应受谴责的、沙文主义的灾难”。
李白
英雄之途,亦有迷惘之时。初为保家卫国之利刃,后为杀戮嗜血之凶器,此非兰博之过,乃时代之哀。若能重返少年,或许正可“拨乱反正”,寻回其赤子之心。
雷总
你说的这个“寻回赤子之心”,正好和AI技术的发展不谋而合。现在最先进的AI减龄技术,已经不是简单地磨皮、拉伸了。比如一家叫Metaphysic.ai的公司,他们的技术非常厉害。
李白
哦?此等“方术”,竟有何玄妙之处?莫非能“颠倒阴阳,逆转乾坤”不成?愿闻其详。
雷总
他们的做法是,先用一个演员一生中所有的影像资料去“喂”给AI,让AI深度学习。然后,AI不是去修改演员现在的脸,而是根据学习结果,直接“生成”一张全新的、符合当时年龄的脸。
李白
妙哉!此非“描摹”,乃是“再造”。如同我观瀑布而咏“飞流直下三千尺”,非是丈量其长短,而是得其神韵,再创一新景。这AI,倒有几分诗家“得意忘形”的境界。
雷总
完全正确!在2024年的电影《这里》中就用了这项技术,效果非常无缝和逼真。它可以在毫秒内完成生成,演员在现场就能看到自己年轻时的样子,这极大地帮助了他们的表演,让他们能更好地找到年轻时的感觉。
李白
以镜为师,鉴往知来。此举甚好!演员可亲见少年之我,与之对晤,神交于心。如此,则演技发自肺腑,情感真挚,而非凭空揣摩。这技术,倒成了通往角色灵魂的桥梁。
雷总
所以,未来会非常有趣。一方面,像《饥饿游戏》这种经典IP,会不断推出前传,挖掘角色的过去。另一方面,AI技术会让“数字永生”成为可能。演员的黄金年龄可以被无限延长,甚至在他们去世后,我们还能看到他们主演的新电影。
李白
身虽死,然音容笑貌存于光影之间,此可谓“立德、立功、立言”三不朽之外的第四不朽——“立像”也。但,失其魂魄之“像”,纵能千变万化,终究是镜花水月,少了那份人间的烟火气。
雷总
这确实是一个值得深思的哲学问题。技术给了我们留住传奇的可能,但如何使用这份力量,如何平衡商业利益和艺术的真实性,将是整个行业未来需要面对的巨大挑战。史泰龙的这个狂想,只是拉开了一个序幕。
雷总
好了,关于史泰龙与AI的讨论今天就到这里。感谢你收听 Goose Pod,我们明天再见。
李白
青山依旧在,几度夕阳红。英雄之梦,未完待续。明日此时,再与君煮酒论剑。散会!

## Sylvester Stallone Discusses AI "Rambo" Pitch, Memoir, and "Rocky" Film **News Title:** Sylvester Stallone Says He Wanted To Direct A Young ‘Rambo’ Movie Himself As An AI Movie, Talks New Memoir **Report Provider:** The Playlist **Author:** Rodrigo Perez **Date Published:** September 18, 2025 **Key Findings and Conclusions:** Sylvester Stallone, while not directly involved in upcoming projects related to his iconic characters, has shared his thoughts and revealed past ambitions. He expressed surprise and a lack of involvement in Peter Farrelly's upcoming "Rocky" making-of drama, "I Play Rocky." Stallone is currently writing his own memoir, titled "The Steps," which will detail his journey to Hollywood. The most significant revelation is Stallone's past pitch for an AI-driven "Rambo" prequel. He envisioned using sophisticated AI technology to de-age himself to his younger, Vietnam-era self, believing it would be a more convincing approach than recasting the role. He recalled that his AI pitch was met with skepticism, with people considering him "crazy." Stallone also commented on the inherent difficulty of taking over iconic roles, likening it to being "the son of Tarzan" or "The son of King Kong," and referencing his own experience with the remake of "Get Carter." **Critical Information and Details:** * **"Tulsa King" Renewal:** Stallone's Paramount+ series "Tulsa King" has been renewed for its fourth season. * **Memoir:** Stallone is writing a memoir titled "The Steps," which will cover his arrival in New York in 1969 and his rise to Oscar recognition. He hopes this memoir might offer insight into his experiences, potentially for projects he's not directly involved in. * **"I Play Rocky" Film:** Stallone was "shocked" to learn about Peter Farrelly's "Rocky" making-of drama and stated he has "zero to do with it." He was not consulted on the project, which already has a script and a lead actor, Anthony Ippolito. * **AI "Rambo" Prequel Pitch:** A few years ago, Stallone pitched a "Rambo" origin film that would have been an "AI experiment." * **AI Technology:** He believed AI technology was "sophisticated enough to go through Saigon to see him at 18 years old and basically use the same image," effectively de-aging him. * **Reasoning:** Stallone felt this approach was necessary because taking over the role of John Rambo is "very, very hard" and actors would struggle to overcome the audience's perception of the original. * **Current "Rambo" Origin Film:** A separate "Rambo" origin movie is already in development, set during the Vietnam War, with Noah Centineo attached and Jalmari Helander directing. Stallone's AI pitch was distinct from this current project. * **Stallone's Focus:** Stallone is currently focusing on his own storytelling through his memoir and the continuation of "Tulsa King." **Numerical Data and Tables:** * **"Tulsa King" Season:** Renewed for **season 4**. * **Memoir Title:** "The Steps." * **Stallone's Arrival in New York:** **1969**. **Significant Trends or Changes:** The news highlights a significant trend in Hollywood's exploration of AI for de-aging actors and creating new narratives around established characters. Stallone's AI pitch demonstrates an early and ambitious vision for leveraging this technology, even if it wasn't realized at the time. It also underscores the growing trend of studios moving forward with legacy projects without direct involvement from the original stars. **Notable Risks or Concerns:** * **Lack of Control:** Stallone's comments on "I Play Rocky" suggest a potential concern for actors regarding their legacy projects being developed without their input or creative control. * **Audience Prejudice:** Stallone's analogy of being "the son of Tarzan" or "The son of King Kong" points to the significant risk of audience prejudice and comparison when new actors take on beloved, iconic roles. **Material Financial Data:** No specific financial data or metrics were provided in this news excerpt. **Quotes:** * On "I Play Rocky": "I was shocked to read [about] it," he said, “I have zero to do with it.” * On his memoir: “Since I lived it, I thought I might be able to participate and give them some insight.” * On his AI "Rambo" pitch: “Everyone thought I was crazy.” * On AI de-aging: “AI is sophisticated enough to go through Saigon to see him at 18 years old and basically use the same image. So it isn’t as big a stretch.” * On the difficulty of recasting iconic roles: “It’s very, very hard. He may do a stellar job, but you’re overcoming this because I went through it with ‘Get Carter’. Everyone loves the original, and then you’re always fighting that prejudice,” he said, likening the challenge to being ‘the son of Tarzan’ or ‘The son of King Kong.’”

Sylvester Stallone Says He Wanted To Direct A Young ‘Rambo’ Movie Himself As An AI Movie, Talks New Memoir

Read original at The Playlist

Sylvester Stallone may not be steering some of the big upcoming projects tied to his legacy, but that doesn’t mean the Academy Award–nominated actor doesn’t have thoughts on them—or stories of his own to tell. In a new conversation on The Playlist’s Bingeworthy podcast about Stallone’s Paramount+ series “Tulsa King”—just renewed for season 4—the actor discussed a memoir he’s writing, his reaction to Peter Farrelly’s upcoming “Rocky” making-of drama, “I Play Rocky,” and revealed that he once pitched an AI-driven prequel for “Rambo” before the version currently in development took off.

Asked about Farrelly’s film, Stallone admitted he was blindsided. “I was shocked to read [about] it,” he said, “I have zero to do with it.” However, the actor/director added that his memoir, “The Steps,” which recounts his arrival in New York in 1969 and the long climb to the Oscars, might eventually allow him to provide some perspective: “Since I lived it, I thought I might be able to participate and give them some insight.

” READ MORE: Noah Centineo Circling ‘John Rambo’ Role In Vietnam War Origin Pic From ‘Sisu’ Director Jalmari Helander That might be wishful thinking, given that a script has already been written, Anthony Ippolito is already set to star, and Stallone wasn’t consulted. But the bigger reveal came when the conversation turned to the “Rambo” franchise.

A movie about the origin of “John Rambo” is already in the works, set during the Vietnam War with Noah Centineo attached and Jalmari Helander (“Sisu,” “Rare Exports”) directing. But Stallone disclosed that a few years ago, he had pitched doing the film himself, only as a full-on AI experiment. “Everyone thought I was crazy,” he recalled, explaining that the technology could have convincingly de-aged him back to his Vietnam-era youth.

“AI is sophisticated enough to go through Saigon to see him at 18 years old and basically use the same image. So it isn’t as big a stretch.” Stallone stressed that taking over the role is a near-impossible task for any actor. “It’s very, very hard. He may do a stellar job, but you’re overcoming this because I went through it with ‘Get Carter’.

Everyone loves the original, and then you’re always fighting that prejudice,” he said, likening the challenge to being ‘the son of Tarzan’ or ‘The son of King Kong.’” For now, Stallone is letting others tell the origin stories of “Rocky” and “Rambo,” while he continues to focus on his own. With “Tulsa King” charging into its fourth season on Paramount+ and “The Steps” on the horizon, Stallone is still finding ways to frame his myth—whether or not Hollywood ever catches up to his AI ambitions.

More from this conversation soon. — Additional reporting by Mike DeAngelo.

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